Poetics 1.Ewa Szczęsna, Mariusz Pisarski, Piotr Kubiński: Strategies for the creation of me- aning in digital art 2.Piotr Marecki: “Stoberskiade”, or Stickers as a Literature-Distribution Platform 3. Zoltán Szűts: The Aesthetics of New Media Art: The Nature of an Interactive, Real-Time, Interconnected, Hypermedia, and Augmented Artwork 5.Kateřina Piorecká: Between the Book, the Image, and the PerformancePan- tomima by Vítězslav Nezval 6.Andrzej Adamski: Sacrum in the digital world: the processes of remediation on the example of the liturgical books of the Catholic Church III. Katarina Peović-Vuković: Text and téchne 4. Karel Piorecký: Serialized Novels in the Context of Digital Publication 3. ![]() Jana Kostincová: The Russian Silver Age Literature as a Hypertext–Background Text–Subtext 2. Agnieszka Jelewska, Michał Krawczak: Video-remediations: from transmission medium to data landscape. Bogumiła Suwara: On the Path to the Remediation of Academic Genres and Their Presence/Absence in Central Europe 5.Pavol Rankov:Dematerialization and Datafication: Towards a Remediation of Everything 6. Peter Sýkora: Defining Biomedia: On the Importance of Transcoding and Reme- diation 4. Jana Tomašovičová: Data transformation in heterotopic space 3. On refashioning film in elec- tronic literature 2. Contexts 1.Janez Strehovec: Moving images, moving words. As such this book constitutes a valuable contribution to the discussion on mediation and remediation, with focus on storytelling transformations in digital age. Nevertheless the core understanding of the very concept of remediation and the double logic of immediation and hypermediation remains constant throughout the book. ![]() In several cases authors explicitly want to go beyond the remediation, both in its subject and object, which is accommodated by the ever expanding definition of medium or media as such. The voices from Central and Eastern Europe comprised in this monograph expand the notion of remediation in several directions, bringing new perspectives and new examples. ![]() What this book aims to achieve is to examine the notion of remediation and concepts associated with it from the perspective of Central and Eastern Europe with broad and varied examples drawn from literary and artistic practices of last decades: from Slovenia and Czech Republic to Russia from video art, happening and (analog) art installation to hypertext, cyberpoetry and works made for gesture and body sensitive platforms like Kinect or mobile phones. The concept of remediation coined by Jay David Bolter and Richard Grusin almost two decades ago endure the test of time fairly well as it keeps reverberating on many levels of contemporary critical thought and artistic practice.
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